Fine arts
I believe art is a universal language that connects diverse cultures and I use it to explore my inner world and share experiences that resonate with others. Growing up in a family of artists, I not only wanted to continue this legacy, but also to make that legacy relevant to the world I live in now, carrying its craft into new forms and new stories.
My mixed media practice thrives on uncertainty. I experiment with silicone, Gelli print, Chinese paint, and unfamiliar materials, letting unexpected combinations reveal the ideas that matter most. Through it all, my work explores the dimensions of self and shared humanity, inviting viewers into an ongoing conversation about the personal and universal stories we all carry.
Reconstruction, 2022
Mixed media: acrylic on wood, rubber pipes, and ink
96 × 107 × 118 cm
This installation was inspired by my frequent visits to the Chinese medicine doctor who defeated my teenage tribulations- acne, horrible skin conditions, and irregular period cramps. It captures the wisdoms of Chinese medicine philosophy and how our body is like a universe that needs to be in a delicate equilibrium. We also must transcend surfaces to see the intricate connections within. By deconstructing and reconstructing the human body, I hope to convey the connections between body parts and acupoints, while showing the significance of balance in achieving stability and strength.
Chinese paint, oil pastel, and acrylic on cloth
300 × 400 cm
This large-scale painting is inspired by my grandparents’ traditional Chinese Courtyard house and wisteria flower garden, showing the coexistence of urban modernity and nature. As I have always lived in cities, the absence of such natural sites in my vicinity has led me to value it more. Hence, I wanted to present the dichotomy of nature and cities, but the fact that they can harmonize in a beautiful way.
Visually Impaired Series I, 2022- 2023
Acrylic on canvas
100 × 120 cm
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This large-scale painting is inspired by my grandparents’ traditional Chinese Courtyard house and wisteria flower garden, showing the coexistence of urban modernity and nature. As I have always lived in cities, the absence of such natural sites in my vicinity has led me to value it more. Hence, I wanted to present the dichotomy of nature and cities, but the fact that they can harmonize in a beautiful way.
Visually Impaired Series II, 2023
Acrylic gelli print on organza fabric
15 × 20 cm each
This installation draws inspiration from my interactions with the visually impaired and highlights the complexity of facial expressions. While most of us use facial expressions to convey emotions naturally, this visual language remains a mystery to the visually impaired. Lacking this ability can create a huge communication gap, leading to discomfort or a sense of helplessness in social settings. For this piece, I gelli printed the expressions of 5 visually impaired students on organza cloth to depict the ambiguity of these faces and the confusion it creates when presented all at once. The overlapping prints obscure the true emotional intent conveyed.
Visually Impaired Series III, 2023
Camphorwood
15 × 14 × 22.5 cm
This camphorwood sculpture embodies the concept of self-image. While we are able to grasp an understanding of how we look by looking in the mirror, the visually impaired can only do so with their tactility. This wood carving conveys that while their vision may be absent for the visually impaired, their hands have the power to feel textures, features, and form to develop awareness of their appearance.
Visually Impaired Series IV, 2023
Acrylic gelli print on organza fabric
100 x 200 cm
This video art draws inspiration from the five senses. The organza cloth depicts the postures and visage of a visually impaired boy surrounded by natural elements like trees, flowers, and mountains. The artwork highlights the diverse ways in which we encounter nature and our vicinity. While we typically engage with this piece through the senses of touch, hearing, and sight, the visually impaired rely on their sense of touch and hearing. Even though these sensory experiences differ, they are equally valuable in contributing to the uniqueness of our overall experience.
Unshackle, 2023
Acrylic on wooden boards, chains, and form boards
110 × 110 × 15 cm
My intense high school years felt like an endless loop: wake up, school, activities, homework, four hours of sleep, and repeat. The burden of my stress pressed on my heart like an oppressive stone, and no matter what I did, I couldn't lift the weight off of my chest. I felt trapped. This artwork objectifies stress in the form of a prism, mimicking the intricate structure of an ancient hunting trap. Regardless of its source, stress chained me down and it felt impossible to break free from the cycle I caught myself in.
Skin deep awareness, 2022
Installation: silicone with watercolor, silicone glue, and acrylic
I have always been fascinated by fashion, drawing inspiration from Instagram or Pinterest to express myself through clothing. However, the use of animal skin in vogue pieces and luxury products deeply trouble me- not only are they cruel but also profoundly insensitive. In this installation, I combined elements and the textures of human skin with crocodile skin on everyday objects to represent the normalization of this inhumane practice. If we believe products made from animal skin are acceptable, how do we feel about using human skin?